Carlos Trilnick
UCSD VisArts: Visiting Artists Program: "Wed. Mar. 1, 3:30 pm, CalIT2 Auditorium (directions)
In Collaboration with the UCSD Communications Department
Carlos Trilnick: Essays on the Image
Carlos Trilnick will be screening some of his recent work on the representation of social protest in Argentina. including an important activist project where he had people wear wireless networked head-mounted video cameras during a major historic protest in Buenos Air which involved police killing of a protester. In this online work, footage from these cameras is juxtaposed with images of the protests presented on major news networks. He will also discuss community-based projects he is involved with in collaboration with university students and youth producers, including a multi-year digital media project on Don Quixote, the Talmud, and cultural identity issues with students in a poor Jewish neighborhood.
Carlos Trilnick is one of the founding members of the independent/activist video movement in South America and is a senior professor in the Faculty of Architecture, Design and Urban Development at the University of Buenos Aires where he teaches in the faculty of Audio-visual Design, and the Programs of Image and Sound Design and Expressive Media. He is also co-director of the Media Laboratory at the Talpiot Institute of Buenos Aires (a primary and secondary school), and coordinator of the Audio/Visual media program “Vale la Pena” which curates programs of a broad range of contemporary work that engages social issues across the arts.Trilnick began artistic career as a photographer in the 1970s and produced his first video in 1980. His recent work has includes digital media installations and online projects, and he has played a formative role in presenting the works of others in this emerging field. His works have been exhibited extensively and he is widely recognized within the international film and media community.
Since 1980 Trilnick has produced an important body of photography, video, installation and digital art which has been exhibited internationally in museums, biennials and art galleries, including among others: Biennale de l'Image en Mouvement, Geneve, Suiza, Museo da Imagem e du Son (Sao Paulo), VIPER Int Film-und Videotage (Suiza), MEIAC (Badajoz), Museo de Arte Moderno (Bogot�), European Media Arts Festival (Osnabruck), Video Data Bank (Chicago), CICV (Monbeliard), American Film Istitute (USA), Museum of Modern Arts, Haifa, Israel, Medien Operativen (Berl�n), LA Freewaves. (Los Angeles), Instants Video (Francia), Museo Reina Sof�a (Madrid), The Museum of Modern Arts (NewYork), Bienal del Mercosur (Porto Alegre), Museo Nacional de Bellas Artes (Buenos Aires), Par�s-Berl�n Interventions en espace public, Bienal de Video y Artes Electr�nicas (Chile), XI Festival Internacional de Arte Ele ctr�nica (San Pablo), VIPER Int Film-und Videotage (Suiza) y ARCO (Madrid).
His documentaries include 'Subte L�nea D' (1983), 'Alfredo Hlito obra pict�rica' (Alfredo Hlito pictorial work) (1987) and 'Ennio Iomi, no perder la memoria' (1993), as well as more experimental video works such as 'Five seconds' (1982), 'Nostalgias del presente' (Present-day nostalgias) (1991) and 'Una tarde' (One afternoon) (2000).
"Wed. Mar. 1, 3:30 pm, CalIT2 Auditorium (directions)
In Collaboration with the UCSD Communications Department
Carlos Trilnick: Essays on the Image
Carlos Trilnick will be screening some of his recent work on the representation of social protest in Argentina. including an important activist project where he had people wear wireless networked head-mounted video cameras during a major historic protest in Buenos Air which involved police killing of a protester. In this online work, footage from these cameras is juxtaposed with images of the protests presented on major news networks. He will also discuss community-based projects he is involved with in collaboration with university students and youth producers, including a multi-year digital media project on Don Quixote, the Talmud, and cultural identity issues with students in a poor Jewish neighborhood.
Carlos Trilnick is one of the founding members of the independent/activist video movement in South America and is a senior professor in the Faculty of Architecture, Design and Urban Development at the University of Buenos Aires where he teaches in the faculty of Audio-visual Design, and the Programs of Image and Sound Design and Expressive Media. He is also co-director of the Media Laboratory at the Talpiot Institute of Buenos Aires (a primary and secondary school), and coordinator of the Audio/Visual media program “Vale la Pena” which curates programs of a broad range of contemporary work that engages social issues across the arts.Trilnick began artistic career as a photographer in the 1970s and produced his first video in 1980. His recent work has includes digital media installations and online projects, and he has played a formative role in presenting the works of others in this emerging field. His works have been exhibited extensively and he is widely recognized within the international film and media community.
Since 1980 Trilnick has produced an important body of photography, video, installation and digital art which has been exhibited internationally in museums, biennials and art galleries, including among others: Biennale de l'Image en Mouvement, Geneve, Suiza, Museo da Imagem e du Son (Sao Paulo), VIPER Int Film-und Videotage (Suiza), MEIAC (Badajoz), Museo de Arte Moderno (Bogotá), European Media Arts Festival (Osnabruck), Video Data Bank (Chicago), CICV (Monbeliard), American Film Istitute (USA), Museum of Modern Arts, Haifa, Israel, Medien Operativen (Berlín), LA Freewaves. (Los Angeles), Instants Video (Francia), Museo Reina Sofía (Madrid), The Museum of Modern Arts (NewYork), Bienal del Mercosur (Porto Alegre), Museo Nacional de Bellas Artes (Buenos Aires), París-Berlín Interventions en espace public, Bienal de Video y Artes Electrónicas (Chile), XI Festival Internacional de Arte Ele ctrónica (San Pablo), VIPER Int Film-und Videotage (Suiza) y ARCO (Madrid).
His documentaries include "Subte Línea D" (1983), "Alfredo Hlito obra pictórica" (Alfredo Hlito pictorial work) (1987) and "Ennio Iomi, no perder la memoria" (1993), as well as more experimental video works such as "Five seconds" (1982), "Nostalgias del presente" (Present-day nostalgias) (1991) and "Una tarde" (One afternoon) (2000).
In Collaboration with the UCSD Communications Department
Carlos Trilnick: Essays on the Image
Carlos Trilnick will be screening some of his recent work on the representation of social protest in Argentina. including an important activist project where he had people wear wireless networked head-mounted video cameras during a major historic protest in Buenos Air which involved police killing of a protester. In this online work, footage from these cameras is juxtaposed with images of the protests presented on major news networks. He will also discuss community-based projects he is involved with in collaboration with university students and youth producers, including a multi-year digital media project on Don Quixote, the Talmud, and cultural identity issues with students in a poor Jewish neighborhood.
Carlos Trilnick is one of the founding members of the independent/activist video movement in South America and is a senior professor in the Faculty of Architecture, Design and Urban Development at the University of Buenos Aires where he teaches in the faculty of Audio-visual Design, and the Programs of Image and Sound Design and Expressive Media. He is also co-director of the Media Laboratory at the Talpiot Institute of Buenos Aires (a primary and secondary school), and coordinator of the Audio/Visual media program “Vale la Pena” which curates programs of a broad range of contemporary work that engages social issues across the arts.Trilnick began artistic career as a photographer in the 1970s and produced his first video in 1980. His recent work has includes digital media installations and online projects, and he has played a formative role in presenting the works of others in this emerging field. His works have been exhibited extensively and he is widely recognized within the international film and media community.
Since 1980 Trilnick has produced an important body of photography, video, installation and digital art which has been exhibited internationally in museums, biennials and art galleries, including among others: Biennale de l'Image en Mouvement, Geneve, Suiza, Museo da Imagem e du Son (Sao Paulo), VIPER Int Film-und Videotage (Suiza), MEIAC (Badajoz), Museo de Arte Moderno (Bogot�), European Media Arts Festival (Osnabruck), Video Data Bank (Chicago), CICV (Monbeliard), American Film Istitute (USA), Museum of Modern Arts, Haifa, Israel, Medien Operativen (Berl�n), LA Freewaves. (Los Angeles), Instants Video (Francia), Museo Reina Sof�a (Madrid), The Museum of Modern Arts (NewYork), Bienal del Mercosur (Porto Alegre), Museo Nacional de Bellas Artes (Buenos Aires), Par�s-Berl�n Interventions en espace public, Bienal de Video y Artes Electr�nicas (Chile), XI Festival Internacional de Arte Ele ctr�nica (San Pablo), VIPER Int Film-und Videotage (Suiza) y ARCO (Madrid).
His documentaries include 'Subte L�nea D' (1983), 'Alfredo Hlito obra pict�rica' (Alfredo Hlito pictorial work) (1987) and 'Ennio Iomi, no perder la memoria' (1993), as well as more experimental video works such as 'Five seconds' (1982), 'Nostalgias del presente' (Present-day nostalgias) (1991) and 'Una tarde' (One afternoon) (2000).
"Wed. Mar. 1, 3:30 pm, CalIT2 Auditorium (directions)
In Collaboration with the UCSD Communications Department
Carlos Trilnick: Essays on the Image
Carlos Trilnick will be screening some of his recent work on the representation of social protest in Argentina. including an important activist project where he had people wear wireless networked head-mounted video cameras during a major historic protest in Buenos Air which involved police killing of a protester. In this online work, footage from these cameras is juxtaposed with images of the protests presented on major news networks. He will also discuss community-based projects he is involved with in collaboration with university students and youth producers, including a multi-year digital media project on Don Quixote, the Talmud, and cultural identity issues with students in a poor Jewish neighborhood.
Carlos Trilnick is one of the founding members of the independent/activist video movement in South America and is a senior professor in the Faculty of Architecture, Design and Urban Development at the University of Buenos Aires where he teaches in the faculty of Audio-visual Design, and the Programs of Image and Sound Design and Expressive Media. He is also co-director of the Media Laboratory at the Talpiot Institute of Buenos Aires (a primary and secondary school), and coordinator of the Audio/Visual media program “Vale la Pena” which curates programs of a broad range of contemporary work that engages social issues across the arts.Trilnick began artistic career as a photographer in the 1970s and produced his first video in 1980. His recent work has includes digital media installations and online projects, and he has played a formative role in presenting the works of others in this emerging field. His works have been exhibited extensively and he is widely recognized within the international film and media community.
Since 1980 Trilnick has produced an important body of photography, video, installation and digital art which has been exhibited internationally in museums, biennials and art galleries, including among others: Biennale de l'Image en Mouvement, Geneve, Suiza, Museo da Imagem e du Son (Sao Paulo), VIPER Int Film-und Videotage (Suiza), MEIAC (Badajoz), Museo de Arte Moderno (Bogotá), European Media Arts Festival (Osnabruck), Video Data Bank (Chicago), CICV (Monbeliard), American Film Istitute (USA), Museum of Modern Arts, Haifa, Israel, Medien Operativen (Berlín), LA Freewaves. (Los Angeles), Instants Video (Francia), Museo Reina Sofía (Madrid), The Museum of Modern Arts (NewYork), Bienal del Mercosur (Porto Alegre), Museo Nacional de Bellas Artes (Buenos Aires), París-Berlín Interventions en espace public, Bienal de Video y Artes Electrónicas (Chile), XI Festival Internacional de Arte Ele ctrónica (San Pablo), VIPER Int Film-und Videotage (Suiza) y ARCO (Madrid).
His documentaries include "Subte Línea D" (1983), "Alfredo Hlito obra pictórica" (Alfredo Hlito pictorial work) (1987) and "Ennio Iomi, no perder la memoria" (1993), as well as more experimental video works such as "Five seconds" (1982), "Nostalgias del presente" (Present-day nostalgias) (1991) and "Una tarde" (One afternoon) (2000).
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